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Öğe Dabke folk dance with lyrics and music in Hatay Arab Alawite culture(Ankara Hacı Bayram Veli Üniversitesi, 2020) Tekin, ErhanEthnic communities with different religions and languages live together in harmony in Hatay. Individuals belonging to these communities maintain their cultural ethnic identity along with their national Turkish citizenship identity. The Arab Alawite community is the largest community in Hatay who speak the local dialect Arabic. The dabke, as a folkdance, whose lyrics are spoken in their unique local Arabic dialect, is seen as an indicator of their cultural differences and cultural identities. The musical structure of dabke, which is sung in Arabic in other ethnic communities in Hatay and danced as line called halay in Turkish, is widely danced in Middle Eastern countries and cultures such as Lebanon, Palestine, Israel, Syria, and also in Europe and America where these communities live through immigration. Until now, there has been no academic study on the folkdance of dabke music and lyrics in Hatay that emerged from events such as cultural life and social solidarity. In this study, the subject of dabke dance’s lyrics and music in Hatay Arabic Alawite culture was examined and musical notes were written for the first time. The information obtained by conducting field research with the subject participant-observer method was analyzed within the framework of cultural theories from an academic perspective. The most widespread dabke pieces were determined, musicologically, to consist of six musical works which were compiled and recorded. It was determined that Ala delo’una was the most common work in the Middle East and Hatay region. In this academic study about dabke as a folk dance common in a multicultural region among the folk dances included in the UNESCO sustainable intangible cultural heritage list, the subject was examined in terms of term, etymology, history, cultural, social and social aspects.Öğe Marching band studies and compositions of bando lieutenant colonel halit recep Arman in the field of military music in Afghanistan(Fikri Soysal, 2020) Tekin, ErhanAge of Enlightenment and the French Revolution began with the idea of nationalism and modernism, influenced nation-states making the transition from a traditional society to a modern society such as Turkey and Afghanistan. Experts in various fields were sent to Afghanistan as a result of the reform movements and Turkish-Afghan friendly relations during the period of King Amanullah Khan (1862-1960) in Afghanistan. Within the framework of these bilateral relations, the military delegation sent within the scope of the modernization of the Afghan army, also included instructors in the field of military music. Military band conductor, music teacher and composer Halit Recep (Onut) Arman (1902-1981) was sent to Afghanistan twice between 1933-37 and 1938-42 as officer for military music. During his years in Afghanistan, he formed harmonica and fanfighter teams and gave music theory, note reading and instrument lessons to the band staff. He founded the royal band called Nümûne Mızıkası, opened the Harmonica School, and formed fanfare teams in the processions, opened music courses and was the conductor of the royal band. He wrote methods for instruments such as education, marching band and fanfare ceremonial posture and transition. Methods written in Persian for marching bands include fret and interval exercises for instruments, small morso’s, exercises, ceremonial situations, and more than twenty compositions of Arman. In the light of the Persian documents obtained in the Beşiktaş Naval Museum and Archive, first the documents were transcribed and the subject was examined on the basis of nation-state and modernization. As a result of this examination of the documents, 12 compositions by Halit Recep Arman, which were not available and unknown in the literature until now, and 12 small musical works called morso were determined. This article, written in the field of historical musicology, examines Arman’s new compositions, as well as his studies in the field of Afghan military music institutions, fanfaer and band ensembles that changed with modernization. © 2020, Fikri Soysal. All rights reserved.Öğe Marş-ı hâssa osmanlı padişahlarına ithaf edilen marşlar(Fikri Soysal, 2020) Tekin, Erhan[No abstract available]
