Marching band studies and compositions of bando lieutenant colonel halit recep Arman in the field of military music in Afghanistan

Basit Öğe Kaydı
dc.authorscopusid57221421185
dc.contributor.authorTekin, Erhan
dc.date.accessioned2024-09-19T15:41:27Z
dc.date.available2024-09-19T15:41:27Z
dc.date.issued2020
dc.departmentHatay Mustafa Kemal Üniversitesien_US
dc.description.abstractAge of Enlightenment and the French Revolution began with the idea of nationalism and modernism, influenced nation-states making the transition from a traditional society to a modern society such as Turkey and Afghanistan. Experts in various fields were sent to Afghanistan as a result of the reform movements and Turkish-Afghan friendly relations during the period of King Amanullah Khan (1862-1960) in Afghanistan. Within the framework of these bilateral relations, the military delegation sent within the scope of the modernization of the Afghan army, also included instructors in the field of military music. Military band conductor, music teacher and composer Halit Recep (Onut) Arman (1902-1981) was sent to Afghanistan twice between 1933-37 and 1938-42 as officer for military music. During his years in Afghanistan, he formed harmonica and fanfighter teams and gave music theory, note reading and instrument lessons to the band staff. He founded the royal band called Nümûne Mızıkası, opened the Harmonica School, and formed fanfare teams in the processions, opened music courses and was the conductor of the royal band. He wrote methods for instruments such as education, marching band and fanfare ceremonial posture and transition. Methods written in Persian for marching bands include fret and interval exercises for instruments, small morso’s, exercises, ceremonial situations, and more than twenty compositions of Arman. In the light of the Persian documents obtained in the Beşiktaş Naval Museum and Archive, first the documents were transcribed and the subject was examined on the basis of nation-state and modernization. As a result of this examination of the documents, 12 compositions by Halit Recep Arman, which were not available and unknown in the literature until now, and 12 small musical works called morso were determined. This article, written in the field of historical musicology, examines Arman’s new compositions, as well as his studies in the field of Afghan military music institutions, fanfaer and band ensembles that changed with modernization. © 2020, Fikri Soysal. All rights reserved.en_US
dc.identifier.doi10.12975/pp2444-2470
dc.identifier.endpage2470en_US
dc.identifier.issn2147-7361
dc.identifier.issue2en_US
dc.identifier.scopus2-s2.0-85099157202en_US
dc.identifier.scopusqualityQ3en_US
dc.identifier.startpage2444en_US
dc.identifier.urihttps://doi.org/10.12975/pp2444-2470
dc.identifier.urihttps://hdl.handle.net/20.500.12483/14270
dc.identifier.volume8en_US
dc.indekslendigikaynakScopusen_US
dc.language.isotren_US
dc.publisherFikri Soysalen_US
dc.relation.ispartofRast Müzikoloji Dergisien_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAfghanistanen_US
dc.subjectFanfareen_US
dc.subjectHalit recep (önüt) armanen_US
dc.subjectMarchen_US
dc.subjectMarching banden_US
dc.subjectMorsoen_US
dc.titleMarching band studies and compositions of bando lieutenant colonel halit recep Arman in the field of military music in Afghanistanen_US
dc.title.alternativeBando yarbay halit recep Arman’ın Afganistan’da askerî müzik alanında bando çalışmaları ve bestelerien_US
dc.typeArticleen_US

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