Protectionism and rapprochement in Turkish higher music education: An analysis of the mission and vision statements of conservatoires and university music departments in the republic of Turkey
dc.authorid | Muslu, Olcay/0000-0003-1512-2652 | |
dc.authorid | PARKINSON, TOM/0000-0002-0990-9507 | |
dc.contributor.author | Parkinson, Tom | |
dc.contributor.author | Muslu Gardner, Olcay | |
dc.date.accessioned | 2024-09-18T20:33:01Z | |
dc.date.available | 2024-09-18T20:33:01Z | |
dc.date.issued | 2021 | |
dc.department | Hatay Mustafa Kemal Üniversitesi | en_US |
dc.description.abstract | Music education institutions have played a prominent role in mediating national identity in the Republic of Turkey since its founding in 1923. Initially tasked with suppressing Ottoman heritage, their nature and status changed with the ascendance of political Islam, when interest in Turkey's Ottoman past grew and the Western aesthetics of the founding elite were increasingly contested. While music education continues to be a site of national identity construction in Turkey, no studies focus on the ideological climate of music education in the era of the Justice and Development Party, who have heralded a 'New Turkey' rooted in conservative Islam. We explore the discursive terrain of Turkish music education by analysing the mission and vision statements and other website texts of 71 conservatoires and music departments. Our findings reveal protectionist attitudes towards repertoires and traditions associated with competing nationalist visions, but also an emergent, reconciliatory structure of feeling and advocacy for pluralism. | en_US |
dc.description.sponsorship | British Academy/Leverhulme Trust | en_US |
dc.description.sponsorship | The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: The authors are grateful to the British Academy/Leverhulme Trust for funding this research. | en_US |
dc.identifier.doi | 10.1177/1474022220983255 | |
dc.identifier.endpage | 385 | en_US |
dc.identifier.issn | 1474-0222 | |
dc.identifier.issn | 1741-265X | |
dc.identifier.issue | 4 | en_US |
dc.identifier.scopus | 2-s2.0-85098547534 | en_US |
dc.identifier.scopusquality | Q1 | en_US |
dc.identifier.startpage | 365 | en_US |
dc.identifier.uri | https://doi.org/10.1177/1474022220983255 | |
dc.identifier.uri | https://hdl.handle.net/20.500.12483/11269 | |
dc.identifier.volume | 20 | en_US |
dc.identifier.wos | WOS:000609693800001 | en_US |
dc.identifier.wosquality | N/A | en_US |
dc.indekslendigikaynak | Web of Science | en_US |
dc.indekslendigikaynak | Scopus | en_US |
dc.language.iso | en | en_US |
dc.publisher | Sage Publications Ltd | en_US |
dc.relation.ispartof | Arts and Humanities in Higher Education | en_US |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Music education | en_US |
dc.subject | ideology | en_US |
dc.subject | values | en_US |
dc.subject | Turkey | en_US |
dc.subject | neocolonialism | en_US |
dc.subject | postcolonialism | en_US |
dc.subject | structures of feeling | en_US |
dc.title | Protectionism and rapprochement in Turkish higher music education: An analysis of the mission and vision statements of conservatoires and university music departments in the republic of Turkey | en_US |
dc.type | Article | en_US |
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