The Collective Phallic Gaze, the Evil Eye and the Serpent in John Keats' Lamia and Yashar Kemal's To Crush the Serpent

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dc.contributor.authorKaradas, Firat
dc.date.accessioned2024-09-18T20:25:18Z
dc.date.available2024-09-18T20:25:18Z
dc.date.issued2020
dc.departmentHatay Mustafa Kemal Üniversitesien_US
dc.description.abstractThe gaze is not only an act of seeing but also a collective control and oppressive mechanism used for suppressing deviations from the standard social norm. The evil gaze is the one that should be subjugated by the sacred patriarchal gaze and be pushed outside the reach of social life for the welfare of humanity. In anthropological terms, the most common emblems of the evil gaze are the evil eye and the serpent. The English Romantic poet John Keats' Lamia, a narrative poem relating a mythological serpentine woman's love affair with a young man named Lycius, depicts how the collective gaze operates for her destruction in the patriarchal world of Corinth, the term collective gaze being employed from Durkheim. Of particular importance is Apollonius' gaze, which plays a crucial role in Lamia's destruction. In Yashar Kemal's To Crush the Serpent the aim of the gaze is crushing the serpent, that is, Esme, and most characters-especially Esme's mother-in-law-use all the patriarchal strategies in a village setting to persuade Hasan, Esme's son, to kill her. The article discusses the historical, religious, and mythological significance of the gaze, its collective function, and its relation to or mythical/historical enmity with the feminine within the framework of Keats' Lamia and Yasar Kemal's To Crush the Serpent.en_US
dc.identifier.doi10.22559/folklor.1110
dc.identifier.endpage359en_US
dc.identifier.issn1300-7491
dc.identifier.issn2791-6057
dc.identifier.issue2en_US
dc.identifier.scopus2-s2.0-85085608707en_US
dc.identifier.scopusqualityQ4en_US
dc.identifier.startpage347en_US
dc.identifier.trdizinid1121275en_US
dc.identifier.urihttps://doi.org/10.22559/folklor.1110
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1121275
dc.identifier.urihttps://hdl.handle.net/20.500.12483/10224
dc.identifier.volume26en_US
dc.identifier.wosWOS:000787166800007en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.indekslendigikaynakTR-Dizinen_US
dc.language.isoenen_US
dc.publisherRector Ciu Cyprus Int Univen_US
dc.relation.ispartofFolklor/Edebiyat-Folklore/Literatureen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectgazeen_US
dc.subjectevil eyeen_US
dc.subjectcollectiveen_US
dc.subjectmyth-makingen_US
dc.subjectserpenten_US
dc.titleThe Collective Phallic Gaze, the Evil Eye and the Serpent in John Keats' Lamia and Yashar Kemal's To Crush the Serpenten_US
dc.typeArticleen_US

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