Daily Object-Oriented Narratives in the Point of Art of Gulsun Karamustafa
Yükleniyor...
Dosyalar
Tarih
2022
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Istanbul Univ, Research Inst Turkology, Dept Art History
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
In the 1980s, the definition, boundaries and purpose of Turkish art entered the process of change and increased its prominence with different approaches. After these years, conceptualization, creating different forms and content, and the emphasis on alternative objects have become common in works with installation-oriented understandings that started in Turkish art. In this direction, the intellectual and conceptual inquiries of Turkish artists on the work have increased, and the way they approach the object has been a factor in the creation of the work. The works of Gulsun Karamustafa, who exhibits topics such as migration, memory, identity, cultural expression, kitsch, popular culture images, and gender with her unique expressions, especially based on everyday objects, draws attention. In the 1980s, the definition, boundaries and purpose of Turkish art entered the process of change and increased its prominence with different approaches. After these years, conceptualization, creating different forms and content, and the emphasis on alternative objects have become common in works with installation-oriented understandings that started in Turkish art. In this direction, the intellectual and conceptual inquiries of Turkish artists on the work have increased, and the way they approach the object has been a factor in the creation of the work. The works of Gulsun Karamustafa, who exhibits topics such as migration, memory, identity, cultural expression, kitsch, popular culture images, and gender with her unique expressions, especially based on everyday objects, draws attention.
Açıklama
Anahtar Kelimeler
Installation, Kitsch, Object, Daily Object, Cultural Expression
Kaynak
Art-Sanat
WoS Q Değeri
N/A
Scopus Q Değeri
Q2
Cilt
17
