Daily Object-Oriented Narratives in the Point of Art of Gulsun Karamustafa

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dc.contributor.authorDemirci, Mehmet Hasan
dc.contributor.authorKurt, Cuneyt
dc.date.accessioned2024-09-18T20:28:00Z
dc.date.available2024-09-18T20:28:00Z
dc.date.issued2022
dc.departmentHatay Mustafa Kemal Üniversitesien_US
dc.description.abstractIn the 1980s, the definition, boundaries and purpose of Turkish art entered the process of change and increased its prominence with different approaches. After these years, conceptualization, creating different forms and content, and the emphasis on alternative objects have become common in works with installation-oriented understandings that started in Turkish art. In this direction, the intellectual and conceptual inquiries of Turkish artists on the work have increased, and the way they approach the object has been a factor in the creation of the work. The works of Gulsun Karamustafa, who exhibits topics such as migration, memory, identity, cultural expression, kitsch, popular culture images, and gender with her unique expressions, especially based on everyday objects, draws attention. In the 1980s, the definition, boundaries and purpose of Turkish art entered the process of change and increased its prominence with different approaches. After these years, conceptualization, creating different forms and content, and the emphasis on alternative objects have become common in works with installation-oriented understandings that started in Turkish art. In this direction, the intellectual and conceptual inquiries of Turkish artists on the work have increased, and the way they approach the object has been a factor in the creation of the work. The works of Gulsun Karamustafa, who exhibits topics such as migration, memory, identity, cultural expression, kitsch, popular culture images, and gender with her unique expressions, especially based on everyday objects, draws attention.en_US
dc.identifier.doi10.26650/artsanat.2022.17.879592
dc.identifier.endpage101en_US
dc.identifier.issn2148-3582
dc.identifier.scopus2-s2.0-85124818716en_US
dc.identifier.scopusqualityQ2en_US
dc.identifier.startpage83en_US
dc.identifier.trdizinid1117049en_US
dc.identifier.urihttps://doi.org/10.26650/artsanat.2022.17.879592
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1117049
dc.identifier.urihttps://hdl.handle.net/20.500.12483/10669
dc.identifier.volume17en_US
dc.identifier.wosWOS:000749100200004en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.indekslendigikaynakTR-Dizinen_US
dc.language.isotren_US
dc.publisherIstanbul Univ, Research Inst Turkology, Dept Art Historyen_US
dc.relation.ispartofArt-Sanaten_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectInstallationen_US
dc.subjectKitschen_US
dc.subjectObjecten_US
dc.subjectDaily Objecten_US
dc.subjectCultural Expressionen_US
dc.titleDaily Object-Oriented Narratives in the Point of Art of Gulsun Karamustafaen_US
dc.typeArticleen_US

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